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In evidenza:

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ARTE E CULTURA PISA

Pisa Cittą Turistica
Tour Virtuale

La storia di Pisa

Piazza dei Miracoli
La Torre Pendente
Restauro della Torre
Interventi passati

CHIESE E MONUMENTI PISA

S.Maria della Spina
S.Michele degli Scalzi
S.Paolo a Ripa D'arno
Basilica S.Piero a Grado
Certosa di Calci
Chiesa San Paolo
Altre chiese in Pisa

CENTRO STORICO PISA

Centro Storico Mezzogiorno
Centro Storico Tramontana

Folclore, storie e leggende

Gioco del Ponte
Luminara San Ranieri
Regata Rep. Marinare
Regata Storica

MOSTRE E COLLEZIONI PISA

Navi Romane
Musei Pisa
Musei provincia di Pisa

NATURA E TERRITORIO PISA

Parchi
Parco di San Rossore
Parco termale di Uliveto

TERME PISA

San Giuliano Terme
Casciana terme
Uliveto terme
Altre in Toscana

 
Comuni provincia di Pisa

Numeri Utili

 

PISA DA VISITARE:

VOLTERRA
© Consorzio Turistico Volterra
SAN MINIATO
© PROMOZIONE S.C.P.A
VICOPISANO
© Gruppo Culturale "Ippolito Rosellini"
PISA IN CLICKS
© Giuliano Valdes

Pisa by Alitalia
© Ulisse, rivista di bordo Alitalia

Pisa by APT
© APT Pisa
 
foto pisa
Foto gallery Pisa
 
 

Monumenti
La Torre Pendente
Visita la Torre
Restauro della Torre
Interventi passati
Il Campanile
Duomo
Battistero

Versione IngleseThe Leaning Tower

Versione Italiana
La torre di Pisa

The construction begun in 1173 and it must have been suspended at the completion of the third ring, around ten years later, since a subsidence of the soil of between 30 and 40 cm. had thrown the tower out of the perpendicular, causing an initial overhang of circa 5 cm. More than a century after the laying of the foundation stone, was once again begun (1275) by Giovanni di Simone, who added three more levels, correcting the axis of the Campanile. In 1284 the six stories of loggias were to all effects finished, bringing the height of the building to 48 m., and employing a technical expedient that was meant to diminish, at least optically, the effects of the inclination, accomplished by raising the galleries of the upper floors on that side.

At the time the inclination of the Tower was more than 90 cm. The tormented vicissitudes of the Tower did not, as one might expect, greatly worry those who were involved in the construction and completion. The long intervals between building activity were dictated, most likely, by the need of letting the Campanile 'rest', but above all by letting both the foundations and the ground on which they rested settle down.

In a certain sense it can be said that the subsidence of the soil and the consequent inclination had, on the whole, been foreseen. At the beginning of the 14th century the bells were placed at the sixth level, in the large opening still visible in the marble cylinder beyond the loggia. Between 1350 and 1372 Tommaso di Andrea Pisano (according to Vasari) terminated the installation of the belfry on the summit of the sixth order of loggias, increasing the correction of the axis, and thus diminishing the load on the side that was in inclination, which in the mean while had become fixed at 1.43 m.

Conceived of not only as a bell tower, but also as a belvedere for the square below - from the earliest times the loggias have served as 'grandstand' for religious events and fairs - it rises 58.36 m above the level of the foundation, just under 56 m over the level of the countryside, and its inclination, measured at the base, is over 4 m. The average subsidence of the base is 2.25 m, while the progressio of the overhang, despite all attempts so far made to bring it to a halt, is about 1.2 mm per year.

 
 

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